STOPLIST FOR THE BERKLEY THEATRE ORGAN
ChamberRank | Pressure | Pipes | Chamber | Origin | ||
1 |
8' |
Double English Post Horn English Post Horn |
15" |
61 |
S |
Metropolitan, L.A. Granada, S.B. |
2 |
8' |
Bombarde Tuba Mirabilis |
15" |
73 |
S |
Metropolitan, Boston Paramount, Toledo |
3 |
Brass Trumpet | Paramount, Toledo | ||||
4 |
Tuba Horn | Paramount, Toledo | ||||
5 |
Tromba | Center, N.Y. |
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6 |
8' |
Tibia Plena Tibia Plena |
15" |
85 |
P |
Uptown, Chicago Uptown, Chicago |
7 |
16' 8' |
Diaphone (12 notes) Diaphone Diaphonic Diapason |
15" 15" |
12 61 |
P M |
UA, Detroit Metropolitan, Boston Paramount, Toledo |
8 |
8' |
Tuba Diaphone Open Diapason |
10" |
73 |
M |
Unknown Unknown |
9 |
8' |
Diaphonic Horn Horn Diapason |
10" |
61 |
S |
Royal, S.F. Uptown, Chicago |
10 |
Viola Diapason | Center, N.Y. |
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11 |
4' Top |
Tibia Clausa Tibia Clausa Tibia Clausa |
15" 15" |
48 25 |
S S |
Paramount, Toledo Paramount, Oakland Paramount, Toledo |
12 |
8' |
Tibia Clausa Tibia Clausa |
15" |
85 |
M |
Metropolitan, Boston Paramount, Toledo |
13 |
Cor Anglais | Center, N.Y. |
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14 |
Orchestral Oboe | Paramount, Toledo | ||||
15 |
Kinura | Paramount, Toledo | ||||
16 |
Top |
Krumet Krumet |
10" |
25 |
M |
Uptown, Chicago Chicago Th. |
17 |
Musette | Fox, S.F. |
||||
18 |
Brass Saxophone | Keith's, Boston | ||||
19 |
8' |
Clarinet Clarinet |
10" |
61 |
M |
Uptown, Chi. Paramount, Toledo |
20 |
French Horn | Center, N.Y. |
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21 |
8' |
Oboe Horn Oboe Horn |
10" |
61 |
S |
Denver Auditorium Paramount, Toledo |
22 |
8' |
Double Solo String Solo String |
15" |
61 |
S |
Uptown, Chicago Stanley, N.J. |
23 |
Solo String Celeste | Stanley, N.J. | ||||
24 |
8' |
Gross Gamba Gamba |
15" |
73 |
M |
Coliseum, Seattle Uptown, Chicago |
25 |
Gamba Celeste | Uptown, Chicago | ||||
26 |
Salicional | State, S.F. |
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27 |
Salicional Celeste | Lady of Victory | ||||
28 |
Violin | N.Y. area | ||||
29 |
Violin Celeste | L.A. area | ||||
30 |
Viol d'Orchestre | Paramount, Toledo | ||||
31 |
VDO Celeste | Paramount, Toledo | ||||
32 |
Quintadena | Paramount, Toledo | ||||
33 |
Quintadena Celeste | Keith's, Boston | ||||
34 |
Top |
Harmonic Flute Harmonic Flute |
15" |
12 |
M |
Uptown, Chicago Schoenstien Organs (new pipes) |
35 |
Lieblich Flute | A New England church |
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36 |
Bourdon/Concert Flute | Paramount, Toledo | ||||
37 |
Concert Flute Celeste | Detroit area |
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38 |
Vox Humana (solo scale) | Paramount, Toledo | ||||
39 |
Vox Humana | Paramount, Toledo | ||||
40 |
Dulciana | Paramount, Toledo | ||||
41 |
Dul. Cel. (Unda Maris) | Metropolitan, Boston |
Tuned Percussions | Origin | ||
Piano/Mandolin | Paramount, Toledo | ||
Marimba/Harp | Paramount, Toledo | ||
Chrysoglott/Vibraharp | Paramount, Toledo | ||
Master Xylophone | Paramount, Toledo | ||
Xylophone | Center., N.Y. | ||
Glockenspeil/Orchestra Bells | Paramount, Toledo | ||
Cathedral Chimes | Center., N.Y. | ||
Tuned Sleigh Bells | Paramount, Toledo | ||
Saucer Bells | State, S.F. |
Stop List for the Toledo Paramount Console at Berkeley
Pedal Division Great Division Solo Division |
Accompaniment Division Bombarde Division General Controls on Name Board Tremulants on Name Board Tibia Plena/Harmonic Flute Selectable Solo Tibia Plena Select Toggle Switches on Name Board Main To Perfound Swell Coupler |
Sound Effects on the Left Pull Out *Surf Modifiers on Left Pull Out Drums Loud - activates the unenclosed drums wherever selected |
Right Pull Out Celeste Controls on Left Pull Out Flute Celeste ON |
Toe Studs - Left of Swell Shoes - Top Row |
Piano Pedals to Right of Swell Shoes |
Kick Switch on Perfound/Master Swell Shoe Combination Pistons Accompaniment - 20 pistons Swell Shoes |
Stop List for the Center Theatre Console at Berkeley
Notations and definitions used in this list:
(In) - located in the center chamber
(Out) - located outside the chambers in the tone chute
Flip Flop - located with the pedal stops on the Name Board. There are three controls located on the left pullout which work in conjunction with this stop. The three Flip Flop traps are High Hat cymbal, Tom Tom, and Snare Drum. If one of these is on and the Flip Flop stop tab is on, the enabled trap will be played every other time any note on the pedal board is hit. Thus you could put on the Pedal Tap Cymbal and the Flip Flop High Hat Cymbal and as you played the pedal line the Tap would play every time and the High Hat would play every other time.
String Ensemble - Solo String, Gamba, VDO
Violin Ensemble - Violin, Salicional
Flue Ensemble - Concert Flute, Harmonic Flute, Lieblich Flute, Quintadena
Vox Humana II - Solo Vox Humana, Main Vox Humana - the Solo Vox Humana is solo scale
Tibia Plena Coupler, Harmonic Flute Coupler, and Lieblich Flute Coupler - These three stops affect all the Solo Tibia stops on the Solo manual. If any of them are on, the Solo Tibia will not play and the rank indicated on the coupler will be activated at the corresponding pitch. Thus if you had the Tibia Plena coupler on and the 4' Solo Tibia stop on, the Solo Tibia would not play and the 4' Tibia Plena would. If you added the Harmonic Flute coupler on too, then both the 4' Tibia Plena and the 4' Harmonic Flute would play when the 4' Solo Tibia stop on the Solo Manual was on.
Strings/Dulciana Celeste On, Quintadena Celeste On, Flute Celeste On - These stops, when on, will add the celeste rank to any rank which is registered anywhere in the organ. Thus the Flute Celeste stop will affect all the Concert Flute stops in the organ. The Strings/Dulciana Celeste will affect any Solo String, Gamba, Violin, VDO, Salicional, Dulciana, String Ensemble, or Violin Ensemble stops. The Quintadena Celeste will affect any Quintadena stop.
There will be a second toy counter installed outside the chambers in the tone chute. A control stop called Outside Traps On will play the outside trap instead of the inside trap.
There are two specialty push buttons on the left pull out which affect trems on the Great. The Trumpet Trem 2nd Touch and the Harmonic Flute Trem 2nd Touch. If either of these are on, the associated trem will not go on until a key on the Great is pushed through to 2nd touch.
Pedal Pedal stops located on the Name Board Great Great Second Touch - located on Name Board Selectables - on Name Board (unassigned tabs for artist's use) Controls - on Name Board |
Accompaniment Accompaniment Second Touch - located on Name Board Bombarde Solo |
Tremulants - on Name Board
Stop Name | Tremulant - each line is one tremulant and the ranks listed on the line are all controlled by that tremulant |
Clarinet/Krumet | Clarinet/Krumet |
Main | Concert Flute/VDO/VDO Celeste Concert Flute/Violin/Violin Cel/Open Diapason Harmonic Flute/Gamba/Gamba Celeste |
Orchestral | French Horn/Cor Anglais/Musette/Viola Diapason/Lieblich Flute |
Strings | Solo String/Solo String Celeste Dulciana/Unda Maris/Salicional/Salicional Celeste |
Solo I | Quintadena Celeste/Horn Diapason/Brass Trumpet/Brass Saxophone |
Solo II | Kinura/Oboe Horn/Quintadena/Orchestral Oboe |
Tibia | Solo Tibia Main Tibia |
Vox | Solo Vox Humana Main Vox Humana |
Tuba Diaphone | Diaphonic Diapason/Tuba Horn Tromba |
Tuba Mirabilis | Tuba Mirabilis |
English Post Horn | English Post Horn Tibia Plena |
Bottom Row | Top Row |
Lift Down | Lift Up |
Lift Stop | Signal |
spare | Surf |
Air Raid Siren | Acme Whistle |
Fire Gong | Door Bell |
Train Bell | Boat Whistle |
Train Whistle | Zymbalstern |
FlipFlop Tom Tom | spare |
FlipFlop Snare Drum | FlipFlop High Hat |
Clock Gong Loud | Clock Gong Soft |
Transposer Reset | Auto Key Transposer |
Transposer Down | Transposer Up |
Trumpet Trem 2nd Touch on Great |
Harmonic Flute Trem 2nd Touch on Great |
Piston 6 | Piston 1 |
Piston 7 | Piston 2 |
Piston 8 | Piston 3 |
Piston 9 | Piston 4 |
Piston 10 | Piston 5 |
Right Pull Out
Bottom Row | Top Row |
Error/Reset | Run light |
File Down | File Up |
Disk Busy | Wait |
R/P Finish | File OverWrite |
R/P Start | Record Setup |
R/P Pause | Play Setup |
spare | Celeste Only |
Diaphone Blower | Piano Pump |
Combination Save | Combination Set |
Combination Load | Range Set |
spare | spare |
spare | spare |
spare | spare |
spare | spare |
Sustain | Sostenuto |
Cancel | Legato |
Swell Shoe Couplers - toggle switches located on Name Board
Here the swell shoes are called, left to right, Sw1, Sw2, Sw3, Master, Crescendo
Main (GT) to Sw1
Orch to Sw1
Solo to Sw1
Orch to Sw2
Main (GT) to Sw2
Solo to Sw2
Solo to Sw3
Main (GT) to Sw3
Orch to Sw3
Master
Toe Studs - two rows located to the left of the swell shoes
Bottom Row | Top Row |
1 - Gen Piston | 1 - unassigned |
2 - Gen Piston | 2 - Klaxon |
3 - Gen Piston | 3 - ah oo gah |
4 - Gen Piston | 4 - Fire Gong |
5 - Gen Piston | 5 - China Hat Cymbal |
6 - Gen Piston | 6 - Chinese Gong |
7 - Gen Piston | 7 - Crash Cymbal |
8 - Gen Piston | 8 - Cymbal Roll |
Piano Sustain/Sostenuto Kick Switch - located on the right side of the Master Swell Shoe
Push Buttons - located on the key cheeks
Accompaniment left key cheek - top push button - unassigned
Accompaniment left key cheek - lower push button - Accompaniment Sostenuto Arm
Accompaniment right key cheek - General Cancel
Great left key cheek - Great Sostenuto Arm
Great right key cheek - unassigned
Piano Pedals - located to the right of the Swell Shoes
The first column is the name on the original engraved name plated located over each pedal, the second column is the current use.
Top Row
Piano Soft | Ped 32' Diaphone Reversible |
Piano Sustain | Ped 32' Plena Resultant Reversible |
Muffled Drums | Ped 32' Tibia Resultant Reversible |
All Off | Ped 32' Bourdon Resultant Reversible |
Middle Row
Sforzando | Re-it Crash Cymbal |
Mezzo | 2' Pedal Chimes |
Chime Dampers | unassigned |
Chime Soft | unassigned |
Bottom Row
The first 4 pedals have second touch. The fifth pedal is a 20 stage thunder pedal.
Gong | 1T - Drum Roll |
2T - Cymbal Crash | |
Cymbal | 1T - Malaysian Cymbal Roll |
2T - Malaysian Cymbal Crash | |
Celesta | 1T - Acme Whistle |
2T - Bass Drum | |
Thunder | 1T - unassigned |
2T - unassigned | |
Thunder | 20 stage pedal |
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